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Yasuko Yokoshi
Feb. 25 — Mar. 7, 2010

Residency: Tyler Tyler / The Banff Centre
Banff, Canada
Participants at a Community Sing at Aaron Davis Hall/Harlem Stages^46 Image from (the effloreescence of) Walter. Photo by Ralph Lemon.^2 Initial rehearsals for Tyler Tyler in Japan in September 2008.^45 Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Michaela Angela Davis and Carl Hancock Rux in conversation at the NYC premiere screening of finding the 51st (dream) state. Photo by Vaughn David Browne.^46 Darrell Jones. Photo by Antoine Tempe.^2 The spaceship from (the efflorescence of) Walter at the Contemporary Art Center, New Orleans. Photo by Claire Tancons.^2

The Africa Contemporary Arts Consortium

Founded in 2004, The Africa Contemporary Arts Consortium is a landmark program designed to initiate, develop and sustain a dynamic exchange of arts and ideas between artists, arts organizations and public communities throughout the United States and the African continent, through experiential opportunities that nurture dialogue and exchange, allowing for organic connections to evolve.

TACAC members have undertaken 25 projects with 30 artists from 15 African countries - hosting residencies that give African artists creative time and exposure to U.S. audiences and the performing arts field; producing work in partnership with each other and with others in the U.S. and abroad; and introducing African artists to U.S. audiences through national tours that include performances and contextual activities. We have also taken 19 trips abroad to see African artists' works and to strategize partnerships with artists, cultural and community groups, and funders. Collectively, TACAC's members have invested $2.5 million in our work to date.

At the heart of these ongoing activities is the Consortium's long-term goal to build a lasting structure for equitable, bi-lateral partnerships across two continents. To that end, members are participating in extended residencies with an African artist or organization to conduct immersive research into the circumstances for creating art in a particular location in Africa and into the challenges these artists or organizations face, and to discover mutually agreed upon pathways for future collaboration. Crucial support for this initiative is provided by the Doris Duke Charitable Foundation's Fund for National Projects.  

Current immersive research trips include:

  • Marjorie Neset, VSA Arts/North Fourth Art Center (Albuquerque) hosted by Panaibra Gabriel and Culturarte, Maputo, Mozambique 
  • Ken Foster, Yerba Buena Center for the Arts (San Francisco) hosted by the GoDown Arts Center, Nairobi, Kenya 
  • Cathy Zimmerman, MAPP International Productions (NYC) hosted by Faustin Linyekula/Les Studios Kabako, Kisangani, Democratic Republic of Congo 
  • Shay Wafer, August Wilson Center (Pittsburgh) to Toubab Dialaw, Senegal 
  • Philip Bither, Walker Art Center (Minneapolis) to Johannesburg, South Africa