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Stories Left to Tell
Mar. 25 — Mar. 27, 2010

Spalding Gray: Stories Left to Tell / Painted Bride Art Center
Philadelphia, PA
Initial rehearsals for Tyler Tyler in Japan in September 2008.^45 Julie Alexander and Naoki Asaji in rehearsal for Tyler Tyler. Photo by Shigeo Kobayashi.^45 Julie Alexander, Kayo Seyama, and Kuniya Sawamura in rehearsal for Tyler Tyler. Photo by Shigeo Kobayashi.^45 Initial rehearsals for Tyler Tyler in Japan in September 2008.^45 Initial rehearsals for Tyler Tyler in Japan in September 2008.^45 Initial rehearsals for Tyler Tyler in Japan in September 2008.^45 Initial rehearsals for Tyler Tyler in Japan in September 2008.^45

Yasuko Yokoshi

Yasuko Yokoshi, born in Hiroshima, Japan and based in New York since 1981, imaginatively entwines cultures and personal insights to create radical dance performance. Through the melding of dance, video, and storytelling and the layering of contemporary perspectives with ancient mythologies, Yokoshi creates cross-cultural experiences with biting wit and outrageous imagination.

Recent works include: Reframe the Framework DDD (2008), a reimagining of David Gordon's seminal work from 1984 created in collaboration with high-school performers from Brattleboro, Vermont; what we when we (2006), which transforms Raymond Carver's What We Talk About When We Talk About Love into Japanese traditional Kabuki Su-odori dance (translated as bare dance) capturing the "refined articulation of ambiguity" for which the style is known; and Shuffle (2003), a solo which looks at the choreographer's family history through the lens of Japanese mythology and Shinto Buddhism.

Her works have been seen at the Guggenheim Museum, Whitney Museum of American Art, Brooklyn Academy of Music/651 Arts, Massachusetts Museum of Contemporary Art, Portland Institute for Contemporary Art, Danspace Project, Performance Space 122, The Kitchen, Dance Theater Workshop, Japan Society, Taipei Theater, Festival A/D Werf (Holland), Festival Sommer SZENE (Austria), Frascati Theater (Holland), and Korea-Japan Dance Festival in Seoul and Tokyo.

Yokoshi's works have been supported by the National Dance Project, the Rockefeller Foundation/MAP Fund, Japan Foundation, The New York State Council on the Arts, Jerome Foundation, Greenwall Foundation, Bossak/Heilbron Charitable Foundation, and Arts International among others. She has been a choreographer fellow at Maggie Allesee National Center for Choreography, and served as an artist-in-residence at Djerassi Art Center, Joyce Theater/Joyce Soho, Movement Research and Brooklyn Arts Exchnage. Recent awards include a Foundation for Contemporary Arts Award (2008) and a BAXTen Award (2007). She is also the recipient of a Creative Capital grant (2002), a New York Foundation for the Arts Artist Fellowship (2004) and two "Bessie" awards for her performances in Shuffle (2003) and what we when we (2006).

Yokoshi has been an associate curator at the Kitchen since 2004 and served as a guest curator at St. Spot in Yokohama, Japan. She has given numerous lectures and workshops at institutions and schools, including Sarah Lawrence College, Marlboro College, Hampshire College, Hunter College, The Kitchen Sidney Kahn Summer Institute, and Florida State University.

Yokoshi's first autobiographical book, Once in A Life Time, received the acclaimed Japanese Ogai Mori Literary Award (1990) and consequently the book was published by the Gakken Publishing Company in 1991. As a dancer Yasuko Yokoshi appeared in a series of productions by Dutch choreographer, Gonnie Heggen, with whom she toured extensively in Europe from 1992-1996. Yokoshi holds a B.A. from Hampshire College where studied contemporary dance. She has also studied acting and directing at Experimental Theater Wing at New York University. Yokoshi holds a first degree black belt in Kendo, a Japanese martial art.