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Stories Left to Tell
Mar. 18 — Mar. 20, 2010

Spalding Gray: Stories Left to Tell / Walker Art Center
Minneapolis, MN
Boyzie Cekwana in Influx Controls: I wanna be wanna be. Photo by Christian Altorfer.^50 Boyzie Cekwana in Influx Controls: I wanna be wanna be. Photo by Christian Altorfer.^50 Boyzie Cekwana in Influx Controls: I wanna be wanna be. Photo by Christian Altorfer.^50 Boyzie Cekwana in Influx Controls: I wanna be wanna be. Photo by Christian Altorfer.^50

Boyzie Cekwana/Floating Outfit Project

Soweto born choreographer-dancer Ntsikelelo "Boyzie" Cekwana is known for creating visceral dance works informed by a seemingly ceaseless interest in questions of the human condition. This interest is driven by a world view which Cekwana calls "the Third World prism"- a view made real by its persistent definition of the world as a boundaried, racialised and complex puzzle.

In 1997, he formed his own company, Floating Outfit Project, to break away from the strict forms of traditional African dance and the work of South African ballet companies. Based in Durban, South Africa, the company is structured engage in collaborative projects with both artists and non-artists throughout the world. To date these have included projects with The Fantastic Flying Fish (Durban, South Africa), La Camionetta (Montpellier, France), Davis Freeman-Random Scream (Brussels, Belgium), Eager Artists Theatre Company (Durban, South Africa) and Gladys Agulhas' ATW (Johannesburg, South Africa). Most recently, Cekwana has been collaborating with choreographer Panaibra Gabriel from Mozambique on the INKOMATI project, and to develop the South-South Think Tank, a group working to promote artists and circulate their work within the Southern Hemisphere.

Recognized as a leading choreographer of his generation in South Africa, Cekwana has toured throughout the world and received prestigious prizes in Africa and Europe, including First Prize for Rona at the Third Platform III of African Contemporary Dance in Madagascar in 1999. His choreography is in the repertoire of companies such as Ballet de Lorraine, Scottish Dance Theatre, and The Washington Ballet (commissioned with The Kennedy Center for its celebrated African Odyssey Festival). He is currently working on the second and third parts of the Influx Controls trilogy, On the 12th Night of Never I will not be held black and Pass!, which will premiere in 2010 and 2011, respectively.