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Ralph Lemon
Jul. 19 — Jul. 25, 2010

How Can You Stay...Residency / Brooklyn Academy of Music
Brooklyn, NY
Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Detail of Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Dan Hurlin's Disfarmer. Photo by Richard Termine.^8 Mike Disfarmer photo. ^8 Detail of Dan Hurlin's Disfarmer. Photo by Richard Termine.^8

Dan Hurlin

Dan Hurlin received a 1990 Village Voice Obie award for his solo adaptation of Nathanael West's A Cool Million, and his suite of puppet pieces Everyday Uses for Sight: Nos. 3 & 7 (2000) earned him a 2001 New York Dance and Performance award (a.k.a. Bessie). His 1992 solo Quintland earned sculptor Donna Dennis a New York Dance and Performance award (a.k.a. Bessie) for visual design, and in 1998, he was nominated for an American Theater Wing Design award for his set design for his music theater piece The Shoulder  (music by Dan Moses Schreier). His piece Hiroshima Maiden, with an Obie award winning score by Robert Een, premiered at St. Ann's Warehouse in 2004 and was awarded a UNIMA citation of excellence (Union Internationale de la Marionette).

Other performance works include NO(thing so powerful as) TRUTH (1995); Constance and Ferdinand (1991) (with Victoria Marks); The Jazz Section (1989) (with Dan Froot); and his toy theater piece The Day the Ketchup Turned Blue (1997) from the short story by John C. Russell. Most recently, he developed Who's Hungry with performance artist and musician Dan Froot, a collection of toy theater portraits based on oral histories of three homeless and food insecure residents of West Hollywood, CA. He has performed with Ping Chong, Janie Geiser, and Jeffrey M. Jones, and directed premieres of works by Lisa Kron, Holly Hughes, Dan Froot and John C. Russell, among others.

He has received individual artist fellowships from the National Endowment for the Arts, the New Hampshire State Council on the Arts, The New York Foundation for the Arts, Creative Capital and the John Simon Guggenheim Foundation. Dan has served on the faculties of Bowdoin, Bennington and Barnard Colleges, Princeton University and currently teaches both dance and puppetry at Sarah Lawrence College. He serves on the executive board of the MacDowell Art Colony in Peterborough, NH, and until last year, was the director of the Puppet Lab at Arts at St. Ann's for nine years. Dan was the recipient of the 2004 Alpert Award in the Arts for theater and in 2009, was named a USA Artists Prudential Fellow in Theater.