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Lars Jan
Feb. 2 — Feb. 5, 2012

ABACUS / REDCAT
Los Angeles, CA
Tommy Shepard, Marc Bamuthi Joseph and Theaster Gates in rbGb^1 Life is Living Oakland 2009. Photo by Bethanie Hines.^1 Life is Living Chicago 2009. Photo by Bethanie Hines.^1 Word Becomes Flesh 2011. Photo by Jati Lindsay/Hip Hop Theater Festival^1 Marc Bamuthi Joseph in rbGb with audience looking on. Photo by Bethanie Hines.^1 Word Becomes Flesh 2011. Photo by Jati Lindsay/Hip Hop Theater Festival^1 Life is Living Chicago 2009. Photo by Bethanie Hines.^1

Marc Bamuthi Joseph/The Living Word Project

My work changes, but philosophically my goals do not.  

Aesthetically urban, pedagogically Freirean, I derive personal performed narratives out of interdisciplinary collaboration. This work as writer and performer reflects an evolving aesthetic that integrates spoken word poetry with contemporary movement to birth a new theatrical form based on hip hop aesthetics. 

The approach is populist, intentionally instructive, and demonstrably experimental in terms of literacy and literary form.

The aesthetic is principally non-European or "alt-white," which is to say that I challenge models of classicism from both cultural and environmental perspectives.

I seek to create space for ritual magic AS performance, and also ritual magic IN performance.

I EXPLICITLY seek to present art that reflects and inspires transformation on personal and collective levels, and that constructs safe space for this transformation to take place.