1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30            

Rha Goddess
Nov. 21 — Nov. 22, 2008

LOW: Meditations Trilogy Part 1 / VSA Arts New Mexico
Albuquerque, NM
Initial rehearsals for Tyler Tyler in Japan in September 2008. Initial rehearsals for Tyler Tyler in Japan in September 2008. Initial rehearsals for Tyler Tyler in Japan in September 2008. Initial rehearsals for Tyler Tyler in Japan in September 2008. Initial rehearsals for Tyler Tyler in Japan in September 2008. Yasuko Yokoshi in what we when we. Photo by Ryutaro Mishima. Initial rehearsals for Tyler Tyler in Japan in September 2008.

Yasuko Yokoshi

The sound of the Gion Shôja bells echoes the impermanence of all things;
the color of the
sâla flowers reveals the truth that the prosperous must decline.
The proud do not endure, they are like a dream on a spring night;
the mighty fall at last, they are as dust before the wind.


-the opening lines of The Tale of the Heike (translated by Helen Craig McCullough)

Yasuko Yokoshi's art-making explores the complex interconnectedness of culture and history that frames our perspective of contemporary life.  Her inspiration for Tyler Tyler comes from The Tale of the Heike, a classic 12th century Japanese epic of warring clans that documents the intense desire for domination and the inevitable fall from power.  The central theme of the stories - the Buddhist law of impermanence - has special resonance for Yokoshi; born and raised in Hiroshima, she was often reminded as a child of the ephemeral nature of human life. These stories continue to resonate in our own times as ambition and pride continue to spawn war and greed.

As a contemporary dance artist, Yokoshi is also driven by the question of how much culture within an art form is transferable, particularly in a fluid, mobile world where the merging of cultures is more prevalent than ever.  Tyler Tyler continues Yokoshi's unique collaboration with her revered master teacher of Kabuki Su-odori dance, Masumi Seyama.  Their previous work together, the critically acclaimed what we when we, won a 2006 "Bessie" Award.

Tyler Tyler will be performed by a cast of six including Yokoshi, two American dancers and three highly regarded Japanese dancers and actors, each of whom trained for many years with Masumi Seyama.  With the American dancers, Yokoshi will apply a postmodern vocabulary to the scale and structure of the Kabuki-style choreography.  With the traditional Japanese performers, she will explore the effect of contemporary choreographic techniques on their Kabuki forms.  With all of the dancers, Yokoshi aims to respect their formal movement vocabulary, even as she experiments with stripping them of their history and culture.

Tyler Tyler will feature music by Japanese composer, Ryuichi Sakamoto, performed live on piano and violin, and a sound score created by Yokoshi's long-time collaborator, So-Ichiro Migita.  The production will feature a stage set inspired by Kabuki stage design; and projections of video imagery gathered by Yokoshi during her research travels in Japan, edited in partnership with Marin Sander-Holzman.